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BOOM
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Duet 3
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Symphony Desktop
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Symphony I/O Mk 2
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Jam X
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HypeMiC
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MiC +
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ClipMic digital 2
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Groove
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Jam +
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MetaRecorder
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Plugins
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Apogee Control Remote
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FAQ
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Legacy Products
- AD-16x & DA-16x
- AD-16 & DA-16 (non-x versions)
- AD-8000
- AMBEO Smart Headset
- AMBus Cards
- Big Ben
- Duet (Firewire)
- Duet 2
- Duet for iPad/Mac/PC (USB)
- Avid Pro Tools Duet
- Element Series
- Ensemble (Firewire)
- Ensemble (Thunderbolt)
- GiO
- Jam
- Maestro App
- Maestro 2
- MiC
- MINI Products
- One
- One (iPad, Mac, PC)
- PSX-100
- Quartet
- Rosetta 200
- Rosetta 800
- Rosetta AD
- Sennheiser ClipMic
- Symphony32 PCI Cards
- Symphony 64 PCIe & Thunderbridge
- Symphony I/O Mk 1
- Symphony Mobile
- Trak2
- X-Digi-Mix
- X-FireWire
- X-HD
- X-Symphony
- X-Video
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First Take
Why doesn't Input Monitoring work at 88.2/96kHz?
Input Monitoring will only work at 88.2/96kHz if your output device supports these sample rates. If you are using an Apogee MiC 96k or a Sennheiser ClipMic, you can record at 88.2/96kHz, but you may not be able to use input monitoring if you’re using the iDevice’s built-in output or Apple ear-buds since both of these output devices only support up to 48kHz.
The recorded file will still be at 88.2/96kHz, but when you play it back you will be listening at 44.1/48kHz. If you would like to use input monitoring while recording, you can use a lower sample-rate, such as 44.1 or 48kHz or if you would like to stay at a higher sample-rate, you can use an input/output device that supports 88.2/96kHz on input and output, such as the Apogee ONE for iPad & Mac or the Apogee Duet for iPad & Mac.